Anna McNay

Review of Shezad Dawood: Kalimpong at Timothy Taylor

01/10/16

Shezad Dawood:
Kalimpong

Timothy Taylor

16 September – 22 October 2016

Have you ever wanted to put your
head inside a yeti’s skull, to converse with the ghosts of Himalayan explorers,
or to jump off a parapet and into a snowy void? Well, now’s your chance. For
his first exhibition with Timothy Taylor, Shezad Dawood (b1974) has transformed
the Mayfair gallery into a disorienting space, with tantric wallpaper and a
bright neon of Himalayan temples, that burns an imprint on to your retinas as
you enter his unfamiliar world. Alongside this are two glittering white sculptures
and six paintings-cum-screenprints-cum-collages. However, the pièce de résistance
is a virtual reality work, inviting visitors to travel through time and space,
secret passages and Himalayan foothills, in a simultaneously fantastic and
nauseating (I never was good with motion sickness) experience, bookable ahead
of time, and lasting up to 15 minutes, depending on the route you – and your
guide – take.

The exhibition is set in Kalimpong,
a real town in the Indian Himalayas, and one with a rich history at that. Once gateway to Tibet, the town has seen
many happenings. “Kalimpong
is just quite wonderful,” says Dawood. “It’s hard to know where to begin.
Everywhere, if you scratch beneath the surface, is a Pandora’s box of
references. There are so many sedimentary layers of narrative.”

Read this review here