Interview with Susie MacMurray
Former classical musician Susie MacMurray (b1959) retrained as an artist during the era of the YBAs, but she is as far removed from their style of “one-liner” work as could be, focusing very much on the materiality and poetry of a piece, combining unconventional materials – such as red velvet, feathers, wax and barbed wire – to create seductive yet misleading installations, which lure the viewers in, but then cause them to step away in surprise and ask questions. Vulnerability and resilience, danger and attraction, mystery and wonder, life and death – these are all present in MacMurray’s work, which, like a fairytale, centres on alchemy and transformation.
With an exhibition at Pangolin London, including a site-specific installation – or “drawing in space” – and some new bronze works (MacMurray’s first time working with this material), made in the Pangolin foundry, the artist spoke to Studio International about her collaborative and repetitive way of working, her love of dualities, and her self-discovery as an artist later in life.
Read the full interview here