Anna McNay

Review of three exhibitions of work by Cedric Morris

07/05/18

Cedric Morris at Gainsborough’s House

Gainsborough’s House, Sudbury
10 February – 17 June 2018

Cedric Morris: Artist Plantsman
The Garden Museum, London
18 April – 22 July 2018

Cedric Morris: Beyond the Garden Wall
Philip Mould & Company, London
18 April – 22 July 2018

I have to confess that, until recently, I had not heard the name Cedric Morris. I even missed the hype surrounding Philip Mould’s Fake or Fortune television programme about the artist and Lucian Freud in 2016 and the ensuing leap in prices being fetched at auction from c£3,500 in 2014 to almost £57,000 in 2017 – an increase of almost 1,500%. But now, all of a sudden, there are three exhibitions celebrating the work – portraits, landscapes and flower paintings – of this 20th-century British painter, founder (together with his partner and fellow painter Arthur Lett-Haines) of the East Anglian School of Painting and Drawing, tutor of (among many other big names) Lucian Freud and Maggi Hambling, and prize-winning iris-breeder, who described himself as an “artist-plantsman” and is accordingly thus remembered on his humble tombstone in the village churchyard at Hadleigh in Suffolk. It is not an anniversary year, and, seemingly, the exhibition at Gainsborough’s House in Sudbury (near to Benton End in Hadleigh, where Morris and Lett-Haines lived out their final four decades) has no connection to the two others (both in London, one at Philip Mould & Company, the other at the Garden Museum, but also sponsored by Mould). Nevertheless, taken as a trio, these individually small showcases offer a wonderful insight into Morris’s life and work and, hopefully, will go some way towards restoring his somewhat waned reputation.



Read the full review here