Anna McNay

High Abstract, Poussin Gallery, and review of abstractcritical


High Abstract

Poussin Gallery, London

11 February–12 March 2011


In his preface to the catalogue for Poussin Gallery’s current exhibition, High Abstract, Mel Gooding is keen to establish that, “a simple definition of what might be admitted under the rubric of ‘abstract’ has never been agreed by artists or by critics or by art historians.”

To read the rest of this review please go to:

Copyright © 1893–2011 The Studio Trust. The titles Studio International and The Studio are the property of The Studio Trust and, together with the content, are bound by copyright. All rights reserved