01/03/11
High Abstract
Poussin Gallery, London
11 February–12 March 2011
by ANNA McNAY
In his preface to the catalogue for Poussin Gallery’s current exhibition, High Abstract, Mel Gooding is keen to establish that, “a simple definition of what might be admitted under the rubric of ‘abstract’ has never been agreed by artists or by critics or by art historians.”
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